I finished the portrait of my father. This is only my third portrait, the second in oils. I am very pleased with the results. The technique of painting a value scale underpainting and then oil overlays makes you really look at your subject and understand the structures without the complication of color. If you are very careful with your underpainting, the color overlays just fall into place. This has become my very most favorite way to paint.
Friday, November 30, 2007
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