Wednesday, December 17, 2008

TAH DAH, Part 3

There are a lot of details in the mural that are not easy to see in the full photos. Here are some of the detailed pictures. One of the important aspects of Rufus Porter's murals was that he made an effort to keep perspective in his work. Hills and mountains that are further away from the viewer are more blue and lighter. Buildings that are further away are smaller and those that are closer are larger. The trees and bushes are sized to match the buildings one the plane in which they appear. The whole mural is framed by the foreground trees that are as tall as the wall and the foreground bushes that are nearly life size. If you look at the previous posts, hopefully you will be able to pick out the various planes in the landscape and notice how the foreground trees and bushes frame the entire work and help establish perspective.

Here is the Grist Mill. It is the building that is closest to the viewer in the mural. Notice the detail in the stones that make up the building wall and the swan in the mill pond.


As you move further back into the mural, you will find a small grove of trees and the farmer's dog is wandering by.

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